Auras seem to be artifacts of our interactions with all of the rest of creation to manifest whatever we need within our world. Auras are a kind of visual answer to knowing the negotiation or mediation processes between our conscious, subconscious and unconscious desires and our collective super-consciousness that is our link with creation whereby all our dreams are made manifest.
When we pray, meditate or day dream our Aura colors become a little more highly charged and that we may discover our prayers have been answered, our thoughts have transformed into reality, or our dreams have come true. We frequently attribute this kind of experience to coincidence but those among us who understand the belief that people create our personal reality recognize that this may not be coincidence; instead, those individuals understand that this can be our natural capability to directly manipulate reality, which our company is developing on a level of our conscious awareness using our feelings and thoughts to help ourselves.
There is a real interaction occurring between us and also the world around us over a subtle level that could be perceived by developing the talent to find out auras. Everyone has this talent; it is an innate part of who and what we should are. However, developing this talent to your degree where we could consciously perceive and study auras may take a little work. By imagining we already have the capacity to do this we could open the best way to actually develop this talent into a great tool within our lives. While imagination could be our initial step on this journey, our journey continue beyond the limits of our own imagination and could manifest in a very real talent that helps us to perceive the world around ourselves more clearly and also to change this world more deliberately.
I discover that auras appear as colors that move about and inside a subject. With any given subject there seem to be many associated colors, usually there are a few particular colors which seem to be dominant. The shades as well as their forms and motions often change in reaction to my thoughts or the thoughts of my subject when i am studying them. The interactions of my thoughts with all the colors of my subject’s aura assist me to to start to build up an idea of what is happening within my subject’s life and whatever they might need to learn.
Typically I actually have preferred to sketch a portrait of my subject over a roughly textured neutral gray paper with colored pastel pencils. Drawing the underlying form of my subject’s face takes about five minutes to create a light sketch, meanwhile the act of drawing helps you to move me right into a more meditative, receptive mind-set where colors begin to become clearer.
If no dominant colors or patterns are apparent i consider each of the colors in order from red to purple/red in a number of repetitious cycles until I sense a harmony to particular colors commence to emerge. (Some color flash cards or perhaps a color wheel could be a great tool for this function.)
Since the what color is my aura are moving I have to observe them for patterns and intensities and after that render a montage in the themes I see in order that the most striking or important parts are portrayed.
I talk to my subject as I sketch, making suggestions that return responses within my subject’s aura that helps me to unravel the meanings in the colors and what is probably transpiring within my subject’s life that is being displayed inside the aura.
Dark or clouded areas of an aura typically represent secrets or information my subject is repressing. Often these are things my subject is painfully mindful of or is trying to deny.
Light, bright or shining parts of an aura indicate well-being and balance. Sparkling parts represent an anticipation of imminent events.
It is easy to view the influences of some other person upon my subject as my subject focuses on that individual; it might then be apparent what role that other person plays and whether they will help or hinder my subject specifically ways.
As with any psychic practice, your reader must always take into account their very own state to be and must be careful not to project details of their own life into the reading given to an issue.
My paper tablet turns into a special window for me personally. Using one side I contain myself so as to not contaminate the things i see through my window. The life span of my subject appears to me through my paper tablet. Your window of my paper tablet assists me in maintaining the main focus of my reading upon my subject while inhibiting me from interjecting a reading personally into the process.
If you are not artistically adept you might still use the paper tablet and colored pencils, instead of striving to generate a likeness of your subject’s physical features dispense with the portrait preamble and instead doodle while you study your subject until the inspiration comes to begin reading their aura.
My personal favorite blend of colors is Green and Purple. These two colors in combination represent Art in the Magick sense and creative activities such as writing or painting within the more mundane aspect. Typically this color combination is accented with Gold or Yellow. Here is the property through which the Art or art talks to us, transforming us.
The chance of Art (Magick) within the act of drawing a portrait is extremely strong. The reader may work as a healer and could try to downplay a style that may be associated with pain or suffering while playing up themes of happiness and spiritual advancement. Yet it is essential to guide the topic when applying any Art, for that lesson coming from a pending hardship may be required by the subject and also the lesson must still manifest in their life in some form. Typically this sort of lesson is replayed again and again in a subjects life; so instruction may be drawn from their past, to ensure that they may finally ‘get it’ and dispense with the necessity for many further repetitions of a lesson which may become possibly damaging or unpleasant in nature.
The effective use of Art rarely prevents another cycle of the repetitious lesson from playing out, however it may ameliorate the following cycle to some great or small degree and also the subject may be better able to study from another repetition with their lesson if the reader has properly prepared those to perceive and understand their lesson.
To start your own exploration of auras get some good crayons plus some rough neutral paper. The backs of brown paper bags are incredibly great for this. You can use photographs, objects around your property, pets, plants or nljsii when your subject. Black and white photographs are particularly good for this sort of exercise. Place your subject against a neutral background such as an empty white wall. Study your subject around the edges, if it is an individual, pay particular attention to the crown chakra where energy channel is frequently strongest. (You may even try directly observing a subject’s chakras.)
Personally, I find the edges of the subject’s profile are the most useful places to begin seeing the interplay of colored light that emanates from inside them. If you feel you see nothing, then imagine your opinion you could find out if you might see auras. Take notes using the colored pencils and then try to associate your ideas using the Chakra colors as you take notes. This can be achieved by just making use of the color crayon that seems best suited to you to write your thoughts with. You happen to be not required to arrange your perceptions in the form of a picture. Sometimes a thought may have one strong color and lots of associated colors. It is possible to loosely overwrite whatever you have written with similar words in a different color once this seems appropriate, or you might find new words emerge when you pick a new color in connection to something you might have already written or drawn.
Just allow this to occur; don’t get too involved in the way you do this or what you might like to know about a topic. Instead, open your heart and mind to every tiniest thought and feeling and follow these wherever they could lead you.